June 20, 2013
The Troubadour, Los Angeles
Earlier today, a publicist friend of mine suggested I request press credentials for a forthcoming, new, music festival. “They’ll look at my site and see that I haven’t updated it in months,” I replied. It’s what I said at the outset: I’m not going to write about every show I see, but I will write about the shows I think everyone should experience.
Which brings us back to Joseph Arthur.
One of the benefits of seeing Joseph Arthur play multiple times is that you simultaneously experience and witness continuous transformation. Listening to Joe play songs from his latest album, The Ballad of Boogie Christ, takes you further along the journey, while maintaining a connection to his beginnings. There’s a through-line that creates the foundation for the audience to step into the next adventure.
Walking onto the stage, in a white suit that appears to have remnants of a painting which extended beyond its original canvas, Joseph Arthur epitomizes “artist.” Appearing as though he sought out the shortest route from the art studio to the stage, he is perpetually creating. The stage becomes his art studio, whether he’s literally painting while singing (as he’s done previously), or playing a new arrangement of an older song (as he did several times tonight).
This show feels and sounds vastly different from other Joseph Arthur shows. It’s clear that this is a new chapter. There are far fewer pedals and more musicians on stage. The show is upbeat, soulful, and rooted in rock. The songs build to a crescendo and you’re enveloped in sound.
When Joseph Arthur plays, it’s more than a concert – he begins with a blank canvas and takes you on a journey. There are nods to the past, the future is optimistic, and you’re grounded – with him – in the present. As with life and relationships, every show is unique. You are part of the experience.
The venue is intimate, but the sound is big. At times it felt as though we were in a stadium, witnessing an immense rock show. “I intentionally didn’t bring a harmonica or acoustic guitar this time,” Joe told me. The instruments have changed; the sound accompanies and embraces the change. The show is infused with passion, love, dedication, and a reminder of what it means to truly be alive.
Whether we choose to acknowledge it or not, we are constantly changing. The ideas, beliefs, and ways of life that keep us happy, healthy, and fulfilled, follow suit. When we’re aware of and welcome the changes, we liberate ourselves – we allow ourselves to be the dynamic individuals that we are. We’re present in every moment, constantly creating, being as we are, without attachment.
Walking away from a show, reminded of some of life’s greatest gifts – the ability to create, continuously evolve, and express different incarnations of ourselves during the same lifetime – is definitely worth the price of admission. Not to mention, the music and experience itself is incomparable.
Keep an eye on his tour page and see Joseph Arthur live when the opportunity arises.