For a person so beyond their years in sheer talent, chronological age can be rather insignificant. In Laura Marling‘s case, her age is relevant only in that she can now enjoy a glass of wine on stage. Long-time fans have experienced this coming-of-age with Marling, surely the most noticeable change between tours. The quality of her voice and the content of her songs maintain their excellency.
The crowd was captivated as Marling delivered a beautiful set at Hotel Cafe Sunday night. As she tuned her guitar between songs, the room remained silent. “My father dreads coming to my shows. He just can’t believe I don’t do more to make everyone feel comfortable,” Marling said.
One of the unique things about a Laura Marling show is precisely that – these moments between songs, their silence further punctuating the songs themselves. Perhaps the reason her father noticed is because it’s rare – the uncomfortable silences as everyone hangs on whatever it is Marling may do next – tune her guitar, critique her wardrobe, or offer additional insight about a song. The crowd doesn’t stir, fidget with their cell phones, nor move to the bar for a drink. They are spellbound.
At one point, Marling mentioned that she was a bit nervous about the transparency of her dress. “My mom always said to wear matching underwear in case you get hit by a bus. . . but she didn’t say anything about standing in a room full of people in a see-through dress.”
Marling played for just over an hour. As she made her way toward the end of the set, Marling explained that she doesn’t do encores, joking it’s one way she avoids awkward, self-conscious moments. I can tell you about the silences and stillness between songs, but her performance and the songs themselves are something you should experience first-hand.