Disclaimer: This Means Nothing to The Dillinger Escape Plan
The first time I saw The Dillinger Escape Plan play live was during Nine Inch Nails‘ set at Bonnaroo, June 2009. If you’re going to share the stage with Nine Inch Nails, you need to know how to make people lose their shit. That doesn’t mean jumping around maniacally and screaming, merely to put on a show. While they do tear around the stage violently, The Dillinger Escape Plan knows that in order to make people “lose their shit,” you need to genuinely connect with them. It doesn’t matter how much the band moves if they can’t move the crowd.
The next time I saw The Dillinger Escape Plan was during Nine Inch Nails’ final show, September 10, 2009, at The Wiltern. Here’s the brilliance of The Dillinger Escape Plan: I remember them from those two shows and made it a priority to see them again. I hadn’t experienced the band previously, I had no vested interest in them, I wasn’t a “fan”. They more than held their own on stage with NIN. The Dillinger Escape Plan added something to those shows. Nine Inch Nails is arguably one of the best live bands ever. It takes a lot to be additive to a Nine Inch Nails show, especially the final Nine Inch Nails shows.
2 years and hundreds of live show experiences later, I found myself at The Wiltern, once again seeing The Dillinger Escape Plan. This time, it was their set; they were playing their songs. They didn’t have to win over potentially skeptical NIN fans. They were playing to their fans and those of Mastodon, the band they were opening for.
The Dillinger Escape Plan gives you more than your money’s worth. You feel rewarded for buying the ticket, paying the exorbitant 60% service fees per ticket, standing in line, paying $5 for a 50-cent bottle of water. Even if you don’t like their music, what The Dillinger Escape Plan does from start to finish is make people lose their shit. There’s no ramp up to the show. They come out full force and do not stop until they leave the stage. Their entire set is performed at the energetic level of an encore. At the end of the show, feeling like the band “paid” me, I bought a sweatshirt. That’s what you want – as an artist and a fan. The money, sure, but getting people to give a shit and therefore getting them to DO something – that’s the real pay off.
The Dillinger Escape Plan is raw. Real. Authentic. In the moment. Rock climbing, skiing, mountain biking on the edge of cliffs – all things I’ve done – force you to be present. When you’re truly experiencing life on the edge, anything other than what’s right in front of you disappears. You are fully immersed in what’s happening, to the point where “beginning” and “end” dissipate. The only remaining setting is “ON!” That’s how The Dillinger Escape Plan plays.
Access to the pit at The Wiltern is generally GA, first-come, first-serve. You exchange your ticket for a wristband and you’re in. Once the pit hits capacity, you can stand on any one of several tiered levels (assuming you have a floor ticket). The first tier crowd, above the pit, was going insane. “How come you guys aren’t down here?” Greg Puciato asked them. “Because of the tickets you have?? That’s ok, I’ll come to you.”
The Dillinger Escape Plan knows how to express their appreciation to their fans. Yes, it includes jumping over walls, walking on heads, and screaming in the faces of fans, but that’s what they came for. And when the fans couldn’t get close enough, the band came to them. “I would stay out there the whole time – I just can’t do it,” Puciato added as he jumped off the hands and shoulders of fans, over the wheelchair access ramp and wall dividing the pit, returning to the stage. When you see the videos below, you’ll understand why it’s not sustainable to play the entire show, balancing on a ledge, crowd surfing, and head walking.
That said, if they weren’t climbing in the crowd, they were scaling the amps or somehow levitating above it all. As ticket sales across the board continue to decline, it’s bands like The Dillinger Escape Plan who will endure. They know how to connect with their fans. They know how to make people lose their shit.
If you’re a “regular” here at Rock Is A Girl’s Best Friend, or if you follow me on Twitter, then you know I prefer to do things unconventionally. Terra Naomi‘s new album, To Know I’m OK, came about unconventionally as well.
When I met Terra more than a year ago, she had a very clear vision of how she wanted this album to sound, even before all the songs were written. She knew she wanted John Alagia (Rachel Yamagata, Brett Dennen, Ben Folds Five, David Gray, Liz Phair, Jason Mraz) to produce the album. She was free from a major-label deal so she could do things differently, not beholden to anyone but herself. At the same time, she was also keenly aware that she no longer had the major-label resources to record and release her second album, and if she forgot about that for a moment, somebody was there telling her it couldn’t be done.
Photo by Ben Watts
Determined to make her vision a reality, Terra ignored the naysayers and set forth on a path to record and release To Know I’m OK, without compromise. Terra raised the recording budget via a direct to fan engagement campaign with PledgeMusic and then approached John Alagia to produce the album. Upon hearing the music and Terra’s plans for releasing the album, Alagia agreed. The result? “This is the album I’ve always wanted to make,” Terra says.
Terra is also going about releasing the album independently, partnering with technology companies and passionate audience communities. As she did with PledgeMusic, Terra continues to go directly to fans, reaching them in unique ways, and including them in the process. Terra partnered with Hipstamatic, engaging their passionate community and incorporating user-submitted Hipstamatic photos as the centerpiece of her video for “You For Me”. She’s working with Klout, providing unique offerings to their influencers, as well as partnering with music and lifestyle bloggers.
Photo by Ben Watts
To Know I’m OK will be available tomorrow, Tuesday June 21st, and I wanted to do something special in honor of its release. I considered interviewing Terra about the songs and the recording process. I thought it might be fun to drink with Terra. Actually, I knew that was fun, having done it previously. Other ideas that crossed my mind were: going behind the scenes with Terra and producer John Alagia during the recording process, posting random outtakes from the studio, sharing footage nobody knew I was recording, and posting full streams of some of the songs on the album. I even considered showing the recording process through the eyes of Terra’s dog, Elliott Osito. I’m of the belief that we can have it all, so below, you will find everything mentioned above.
I hope you enjoy this track-by-track video exploration of Terra Naomi: To Know I’m OK.
It’s time for a listening party
1. You For Me
Michael Chaves, Sean Hurley, Brad Conrad, John Alagia, Victor Indrizzo lend a hand to Terra Naomi during the recording of “You For Me”
Terra’s dog, Elliott, lends his tail during the making of “You For Me”
Listen to “You For Me” (Full Stream)
2. If I Could Stay
Terra performs “If I Could Stay” at a private house party
3. Not Sorry
Terra discusses the re-recording of “Not Sorry”
Listen to the new version of “Not Sorry” from To Know I’m OK
4. Everybody Knows
Terra, John Alagia, Brad Conrad, Zac Rae, Victor Indrizzo, Sean Hurley, and Michael Chaves working out “Everybody Knows” in the studio
Recording “Everybody Knows”
Listen to “Everybody Knows” Album Version (Full Stream)
5. Someday Soon
Terra, producer John Alagia, Brad Conrad, Zac Rae, Michael Chaves, Victor Indrizzo, and Sean Hurley listening to their initial recordings of “Someday Soon”
6. I’ll Be Waiting
Terra discusses the meaning of “I’ll Be Waiting” during our “interview” at Malibu Wines
Recording “I’ll Be Waiting”
Listen to “I’ll Be Waiting” (Full Stream)
I’ll Be Waiting:
7. Take Time
Terra does a special performance of “Take Time” for Rock Is A Girl’s Best Friend:
Inspired by a man who dumped her:
Listen to “Take Time” (Full Stream)
8. To Know I’m OK
Listen to the title track from Terra’s new album, “To Know I’m OK” (full stream)
To Know I’m Ok:
Terra’s dog, Elliott Osito, gives his notes on the album
Finally, after a long day in the studio, John Alagia and Michael Chaves had these parting words for Terra: