Somebody should have recorded the sound of the crowd following the first encore. I think that would best express what happened when David Byrne, St. Vincent, and their phenomenal brass band performed at The Greek Theatre Saturday night.
In fact, if that’s all you heard about the show – the sound of the audience as it concluded – that should be enough to get you to seek out a time and a place to catch this tour. David Byrne and St. Vincent took the notion of a “concert” and created something so unique it shouldn’t be classified. It was more like a spectacular dream than anything else you’d have experienced musically.
The evening unfolded, surprising and unique, every step of the way. It’d probably serve you best not to seek out the videos captured on cell phones, the set list, nor look at photos posted on Instagram. Even if you come away thinking you know what this show is about, you won’t know until you experience it. It’s so special that I’m only going to share bits and pieces.
Even if I wanted to, I don’t have more photos to share. I couldn’t be bothered to take more than 3 pictures. It was all I could do not to spill my wine, I was so mesmerized. Here’s what I can tell you:
From the moment the audience entered the amphitheater, they were part of the experience, before the “show” began. This provided the opportunity to transition out of the day, beyond traffic, parking, the world at large, and into “the night” (as interpreted by David Byrne and St. Vincent).
The songs danced in harmony with the voices in my head. We’re not alone in this world, especially when you consider the beautiful absurdity of it all.
Outside of The Polyphonic Spree, I’ve not seen Annie Clark (“St. Vincent”) perform prior to this and I don’t know why the fuck not. It’s possibly the biggest mistake I’ve made. She’s phenomenal.
The one woman in the audience who was encouraging people to sit down was sorely outnumbered. She eventually stood up.
This is a show that’s worth paying more for, in order to have seats closer to the stage. You can always watch the video monitors, but you’re going to want to see their feet.
Byrne and Clark don’t appear to perform music. Music appears to perform them. You can see every note winding its way through each of them. The music takes form inside of them, before it’s articulated into sound externally.
There are certain tones in music that hit corresponding points in the body. You can feel the notes move through you and understand how they move through Byrne and Clark. It’s a two-way conversation, this David Byrne/St. Vincent show.
If you’ve been listening to their album, Love This Giant, this show’s arrangement will be an additional treat for you.
For a person so beyond their years in sheer talent, chronological age can be rather insignificant. In Laura Marling‘s case, her age is relevant only in that she can now enjoy a glass of wine on stage. Long-time fans have experienced this coming-of-age with Marling, surely the most noticeable change between tours. The quality of her voice and the content of her songs maintain their excellency.
The crowd was captivated as Marling delivered a beautiful set at Hotel Cafe Sunday night. As she tuned her guitar between songs, the room remained silent. ”My father dreads coming to my shows. He just can’t believe I don’t do more to make everyone feel comfortable,” Marling said.
One of the unique things about a Laura Marling show is precisely that – these moments between songs, their silence further punctuating the songs themselves. Perhaps the reason her father noticed is because it’s rare - the uncomfortable silences as everyone hangs on whatever it is Marling may do next – tune her guitar, critique her wardrobe, or offer additional insight about a song. The crowd doesn’t stir, fidget with their cell phones, nor move to the bar for a drink. They are spellbound.
At one point, Marling mentioned that she was a bit nervous about the transparency of her dress. “My mom always said to wear matching underwear in case you get hit by a bus. . . but she didn’t say anything about standing in a room full of people in a see-through dress.”
Marling played for just over an hour. As she made her way toward the end of the set, Marling explained that she doesn’t do encores, joking it’s one way she avoids awkward, self-conscious moments. I can tell you about the silences and stillness between songs, but her performance and the songs themselves are something you should experience first-hand.
Peter Gabriel is currently touring in honor of the 25th anniversary and re-issue of his album, So, with the band from the original tour — bassist Tony Levin, guitarist David Rhodes, drummer Manu Kache and keyboardist David Sancious.
When Gabriel took the stage at The Hollywood Bowl Saturday night, he prefaced the show, to let the crowd know what they could expect. He explained that the set would be divided into three sections, like a good meal or story. The first section would be the quiet section, the foundational history. The second piece would be the “rock bit”. During the third segment – “the dessert” – Gabriel and band would perform the album So, straight through. In his attempt to set expectations, he had already exceeded them.
Then came the music. The entire show felt like an encore, brilliant song upon brilliant song. Gabriel kicked off the set with “Come Talk To Me”. His voice sounded spectacular, the band incredible. Next up, “Shock The Monkey”, which made me question whether we’d already moved on to the “rock” bit. But no, this was still the set-up, the first couple of chapters, reeling the audience in deeper and deeper. “Family Snapshot” concluded the first segment. It may have been the introduction, but the crowd was already on its feet.
“Digging In The Dirt” initiated the second segment – the rock bit. ”After all that digging, it’s time to enter a ‘Secret World’,” Gabriel said, announcing the next song, one of my personal favorites. With the “rock portion” of the show, came an equally energetic light show, appropriately accompanying Gabriel and band through “The Family and The Fishing Net”, “No Self Control”, “Solsbury Hill”, and “Washing of The Water”. By this stage, the crowd had already gotten their money’s worth and Gabriel hadn’t even begun the advertised portion of the concert, playing So, start to finish.
Gabriel continued to mesmerize the crowd during the “dessert” section of the set. ”Red Rain”, “Sledgehammer”, and “Don’t Give Up” hit with such force and momentum, I don’t recall breathing. Song by song, Gabriel delivered So spectacularly.
Gabriel’s stamina and energy is enough to embarras those far younger who even considered sitting down during the show. Even when he sang the entirety of “Mercy Street”, lying on his back, Gabriel’s performance was powerful beyond belief.
As the audience was being transported through time, John Cusack walked out on stage and presented Gabriel with a giant boombox, reminiscent of that famous scene in Say Anything. Raising the boombox above his head, Gabriel began “In Your Eyes”, the anthem song featured in Cameron Crowe’s anthem of a movie. The crowd sing-a-long was in full effect, but simultaneously and respectfully gave way to the divine sound of Gabriel’s voice. Gabriel made a point of thanking and acknowledging Cusack as well as Cameron Crowe, who was also in attendance. “Cameron Crowe made this song famous,” he said.
Upon completing “dessert”, Gabriel returned with dessert wine, closing the evening out with “Biko”.
Not many artists can successfully tour on an album that’s more than a quarter of a century old. Given his body of work, Gabriel could do it successfully, many times over. Each song tells a story so engaging, so universal, that you yearn to hear it repeatedly. Collectively, they make up an album that speaks volumes, So.
A limited edition So box set, special edition 3 CD set, and newly remastered CD will be released on October 23. For more info or to pre-order, please visit http://petergabriel.com/
You will see there are several ways you can enterand you can get additional entries for each thing you choose to do. You can follow us, tweet about us, like us on Facebook, and more. ENTER NOW
Winner (1) will be selected by random.org and notified via email on the morning of October 28, 2011. Winner will have 5 hours to respond before a new winner is selected
Your tickets will be available for pick up at Will Call at The Satellite on the evening of the show. Please bring photo ID.
You must be 21+ to attend this event
Transportation and accommodations not included
About The Felice Brothers:
The Felice Brothers
“…what separates The Felices’ mud-stomping folk from that of their peers is their no-winking honesty – the sense that these songs and the places and people they’re singing about aren’t literary devices but actual people doing their damnedest to rage against the growing darkness.” – Filter Good Music Guide, 2009
Here’s what’s already known about The Felice Brothers: they are a close-knit band of two brothers and three longtime friends, all in their twenties. They are self-taught, not one of them played an instrument prior to the band’s inception in 2006 when they started busking in New York City subway stations. The Felice Brothers have released three full-length albums; their last, Yonder Is The Clock, on Team Love Records (2009). The majority of their work was recorded in a converted chicken coop in upstate New York near their hometown of Palenville. Esquire, Filter, The New York Times, NPR, Spin, Time Out New York, Uncut, and Under The Radar have praised them, among others. They are on virtually constant tour in the States and overseas, and have performed at festivals including Bonnaroo, All Points West, Outside Lands, Langerado, and the Philadelphia Folk Festival. Recognized for their live show, The Felice Brothers will play for their audience come hell or high water; the foremost example is their transcendent performance at the 2008 Newport Folk Festival, where they soldiered on, unplugged, in the rain, and barefoot in the mud after a lightning bolt shorted their stage’s power supply.
Here’s what might come as a surprise about The Felice Brothers: their new and fourth LP Celebration, Florida is an exhilarating amalgamation of frightening horn sections, unexpected 808s, ambient synth lines, schoolyard taunts, booming, primitive drum beats, heavy bass lines, piano, violin, accordion, ringing guitars, rave beats, and sinister acid jazz that captivates and mystifies. Recorded in the gymnasium and theater of Beacon, NY’s old high school, the band explores a multitude of sounds and instrumentation throughout the expansive album. It’s inspired, imaginative, heady, menacing, passionate, and rollicking. Most importantly, it’s as steadfastly authentic as ever, expanding upon the dark, woozy undercurrent of ramshackle barroom blues, vaudevillian atmospherics, and surreal storytelling of their previous albums. Under The Radar wrote in a review of Yonder Is The Clock that The Felice Brothers find “inspiration and freedom rather than constraints in the traditions of folk music.” Celebration, Florida revels in this inventive, outlaw spirit; it’s the sound of a band that knows its roots and knows where it’s growing. It’s a group who just might expand the definition of Americana music along the way.
Celebration, Florida casts scenes of dreamy characters and stories interwoven like a block of primetime TV. Among the tales: a young woman who sets off to find a secret paradise; a teenager who enters a boxing gym in Catskill, NY; a late night host recounting his rise to fame to his honeybee while traveling in a private jet; shady degenerates who get lost in a mystery concerning a Honda Civic; a young girl who crimps her hair and spies her dead father driving down the road; a Wall Street scandal hits a little too close to home; and even a trip through space to find long forgotten Hollywood parties and hopefully make it back there in time to walk down the red carpet.
The Satellite is one of the premiere music venues in Silverlake, located at: 1717 Silverlake Blvd, Los Angeles, CA 90026
Pros: 2 bars, great view of the stage no matter where you’re standing, friendly staff, strong drinks. Did I mention 2 bars?
Cons: small. But that’s not a bad thing if you like intimate shows like I do. I’ve seen everyone from Zwan (Billy Corgan) to Foo Fighters to The Scissor Sisters here. Well, actually the venue was called Spaceland at the time, but my point is: this place rocks.
Words cannot describe the fun you’ll have at a Butch Walker and The Black Widows show, so consider these pictures and videos from their show Monday night an appetizer.
You can see Butch Walker and The Black Widows on tour beginning October 6th. Tour dates and info are posted on their Facebook page.
Butch Walker and The Black Widows’ new album, The Spade, comes out August 30, 2011. You’ll want to get it before you see them live so you can sing along with the rest of the crowd. http://butchwalker.com/